Feldzeig: You boys are naturals, keep it up.a five, six, seven, eight. then you got a 'split-edo,' toledo suprise. American Premiere produced at the Ahmanson Theatre by Center Theatre Group (Michael Ritchie. then you sweet it up, when you heat it up, if it tries to rise.don't let it. Hailed by New York Magazine as, 'The Perfect Broadway Musical' The Drowsy Chaperone is a masterful meta-musical. Because of its many featured roles and accessible script, The Drowsy Chaperone will fit perfectly into any company's season or school's calendar. Produced by Kevin McCollum, Roy Miller, Bob Boyett, Stephanie McClelland, Barbara Freitag and Jill Furman By Special Arrangement with Paul Mack Associate Producer: Sonny Everett, Mariano Tolentino Jr., Jeff Davis and Demos Bizar Entertainment. Hailed by New York Magazine as "The Perfect Broadway Musical," The Drowsy Chaperone is a masterful meta-musical, poking fun at all the tropes that characterize the musical theatre genre. JANET I don't wanna show off no more I don't wanna sing tunes no more I don't wanna ride moons no more I don't wanna show off I don't wanna wear this no more Play the saucy swiss miss no more. ![]() Mix in two lovers on the eve of their wedding, a bumbling best man, a desperate theatre producer, a not-so-bright hostess, two gangsters posing as pastry chefs, a misguided Don Juan and an intoxicated chaperone, and you have the ingredients for an evening of madcap delight. Broadway producer who is desperate for his star to return to his show played. The recording comes to life and The Drowsy Chaperone begins as the man in the chair looks on. Songs: Fancy Dress, Toledo Surprise, Act 1 Finale, Love is Always Lovely. ![]() With the houselights down, a man in a chair appears on stage and puts on his favorite record: the cast recording of a fictitious 1928 musical. Winner of five Tony Awards, including Best Book and Best Original Score, The Drowsy Chaperone is a loving send-up of the Golden Age musical, featuring one show-stopping song and dance number after another.
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